Porcelain Publishing / CT / Volume 3 / Issue 1 / DOI: 10.47297/wspct2019030101
ARTICLE

Perspective on Shanghai-Ghent Joint Workshop: The Relationship between WWI and China's New Culture Movement

Weijian YANG1 Preston Murphy1
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1 Department of Chinese Language and Literature, Shanghai University, China
© Invalid date by the Author(s). This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/)
Abstract

China's New Culture Movement, which had started in the mid 1910s, was a response to the realities of modernity and the changes that resulted in China as international and domestic forces interacted in unforeseen ways. The thinkers that engaged in discussion and inquiry into the changes surrounding them, and thereby defining the movement, were given even more to ponder at the close of World War I. World War I was the first time the world as a whole had witnessed prolonged industrialized warfare and as a global event came to redefine the modern nation state, draw a striking blow to a number of feudal monarchies and reshape geographic borders across the globe. These monumental shifts were far reaching and difficult for any country or thinker living in that time to avoid. The western powers handling of the peace talks following the war, specifically the turnover of Germany's Chinese concession on the Shandong peninsula to Japan, spurred outrage, public discord and large scale demonstrations across the country. The following presents the different approaches employed by a number of professors at the Shanghai University-Ghent University joint work-shop on The Great War and China爷s New Culture Movement, in examining the wide scope of effects resulting from the collision of these two events.

Keywords
New Culture Movement
World War I
Nation state
Science
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Critical Theory, Electronic ISSN: 2753-5193 Print ISSN: 2515-4702, Published by Porcelain Publishing