An Approach to Urban Narrative: Analysis of Temporal Structure of Benjamin's Capital Theory
Why today's urban experience and urban narrative could be traced back to Benjamin? If he is a precocious gambler who passed by a steel and glass building hundreds of years ago, and we are the modern individuals who later live in a complete illusion (phantasmagoria), then what we share with Benjamin is a variant of the same life at a different time. Walter Benjamin's theory of capital constructed a space-time structure, which not only contains the change of perception mode since modern times, but also reveals the psychological immanence of the modern appearance of the city. Benjamin's understanding of the new creation and ruins of the city has an irreplaceable theoretical role in how people read the city and how to construct the urban narrative.
[1]Adorno, Benjamin.The Dialectics of Friendship: The Correspondence between Adorno and Benjamin:1928-1940. Trans. Liu Nannan. Guilin: Guangxi Normal University Press,2022.
[2]Baudelaire:Selected Essays on Baudelaire's Aesthetics. Trans. Guo Hongan. Beijing: People's Literature Publishing House,1987.
[3]Michel, De.The Practice of Daily Life 1. The Art of Practice. Trans. Fang Linlin and Huang Chunliu. Nanjing: Nanjing University Press,2009.
[4]Sang, Hu. "Wanderer in the Constellation of Time: On the Concept of Time in Benjamin's Modernity Thought," International Comparative Literature,2019, No.2.
[5]Kałążny, Jerzy. In the Labyrinth of Benjamin's Arcades Project: The Flâneur, the Collector, and the Gambler as Readers of the Nineteenth Century,Approaches to Walter Benjamin's The Arcades Project, eds, Paweł Stachura, Piotr Śniedziewski, Krzysztof Trybuś. Frankfurt: Internationaler Verlag der Wissenschaften Frankfurt am Main,2017.
[6]Banowska, Lidia. Paris in Walter Benjamin's Arcades Project – on the Threshold of Modernity, in Approaches to Walter Benjamin's The Arcades Project, Paweł Stachura, Piotr Śniedziewski, Krzysztof Trybuś eds. Frankfurt: Internationaler Verlag der Wissenschaften Frankfurt am Main,2017.
[7]Barthes, Roland.Eiffel Tower, trans. by Li Youzheng, Beijing: China Renmin University Press,2007.
[8]Agathinski, Silvia.The Ferryman of Time, trans. Wu Yunfeng, Beijing: Citic Press,2003.
[9] Eagleton, Terry.Walter Benjamin, Or, Towards a Revolutionary Criticism. Trans. Guo Guoliang and Lu Hanzhen. Beijing:The Commercial Press,2015.
[10]Benjamin, Walter.Charles Baudelaire: A Lyric Poet in the Era of High Capitalism, trans. Wang Yong, Nanjing: Yilin Publishing House,2014.
[11]Benjamin, Walter. Illuminations-Essays and Reflections, eds. Hannah Arendt, trans. Harry Zohn, New York: Schocken,1969.
[12]Benjamin, Walter.Paris, the Capital of the 19th Century, trans. Liu Beicheng, Beijing: The Commercial Press,2013.
[13]Benjamin, Walter.Selected Writings1, eds. Michael W. Jennings, Howard Eiland, Gary Smith, et al. Cambridge:Belknap Press of Harvard University Press,2004.
[14]Benjamin, Walter.Selected Writings2, edited by Michael Jennings, Howard Eiland, Gary Smith, et al. Boston: Harvard University Press,2005.
[15]Benjamin, Walter.The Arcades Project, trans. Howard Eiland and Kevin McLaughlin, Cambridge: Harvard University Press,2002.
[16]Kejun, Xia.The Theology of Uselessness: Benjamin, Heidegger and Derrida. Guilin: Guangxi Normal University Press,2022.
[17]Jun, Zeng. "The Correction of Benjamin's Visual Thought",Academic Circles,2013, No.2.