Porcelain Publishing / CT / Volume 3 / Issue 2 / DOI: 10.47297/wspct2019030202
ARTICLE

From the Senses to Sense: The Aesthetics of Chinese Food Between the East and the West

Simona Stano1
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1 International Semiotics Institute, Czech Republic
© Invalid date by the Author(s). This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/)
Abstract

Chinese cuisine is known and especially praised for the attention it pays to every aspect of food, "from its palatableness to its texture, and from its fragrance to its colourfulness;until, as in other works of art, proportion and balance are instilled in every dish”.Within its huge variety -including gastronomic traditions originating from various regions of China,as well as from Chinese people living in other countries-,in fact,such a cuisine strongly emphasises the aesthetic dimension of food,in relation to both its preparation and consumption. This acquires further importance if we consider the extensive spread of Chinese food around the world and its consequent hybridisation with other foodspheres, including Western gastronomic traditions.This paper explores the aesthetic values associated with Chinese culinary arts by making reference to existing literature on Chinese food cultures and analysing some relevant case studies,especially in relation to the collective imaginary of Chinese cuisine between the East and the West. In the conclusion,a more general reflection concerning the philosophical and semiotic discussion on taste and its judgement is provided.

Keywords
Aesthetics
Taste; Food
Arts
Chinese Cuisine(s)
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Critical Theory, Electronic ISSN: 2753-5193 Print ISSN: 2515-4702, Published by Porcelain Publishing